I didn’t realize that I was listening to Graham Nash when I first heard his voice coming out of my AM radio as part of The Hollies.
It was the mid 1960’s and his group was yet another one of those hit-making English bands that was part of the British Invasion. Their songs, including “Bus Stop,” “Look Through Any Window,” and “On a Carousel” stood out with their soaring harmonies and crisp production. However, just a few years later in 1969, I would become very familiar with Graham’s name as he joined with David Crosby and Stephen Stills to create an amazing debut album – Crosby, Stills and Nash. Its unique sound from a magical blend of voices and a diverse collection of original songs helped to define the new FM radio sensibilty and the beginnings of a musical genre.
Graham and his mates were joined within a year by Neil Young and over the next forty years they would continue to perform, record, break-up, and re-unite as a quartet, trio, duo, or solo act. Embracing political activism and making social commentary became an important part of their musical statement, but their songs never lost their universal appeal and timeless quality. Though each of the group’s members created a separate and strong individual profile, a CSNY identity remained and it was Graham that made sure they never drifted too far apart.
I sat down with Graham Nash in the summer of 2014 just shortly after he had overseen the production and release of CSNY 1974 – a beautiful audio/visual collection capturing the band during one of their most memorable tours. He had also recently completed his fascinating autobiography “Wild Tales” chronicling his historic musical and personal journey. We covered a lot of ground and began our conversation with the opening of his book.
Click here to listen to the full interview.